Posts Tagged ‘call for submissions’

Call for submissions: PANK Books Listing

10 February 2017

PANK Books.

We’re looking for poetry, fiction, short fiction, multi-genre work, experimental, traditional, nonfiction and collaborative work. Manuscript guidelines are open.

Visit the website for submission details:

http://pankmagazine.com/submit-2/

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Submit for the next issue of VerbalArt

10 June 2016

VerbalArt

(A Global Journal Devoted to Poets  & Poetry)

www.verbalart.in

The new issue of Phenomenal Literature is released and you can find its details on its website www.phenomenalliterature.com. Now we are looking for anything on poets and poetry for the next issue of VerbalArt: A Global Journal Devoted to Poets and Poetry. The submission guidelines can be found at http://verbalart.in/submission.php. The last date of submission is 31 July 2016 and the next issue will come out by 30 Sep 2016.

Looking forward to your submission(s)! 

Please read the submission guidelines carefully to get your submission approved:-

VerbalArt welcomes unsolicited submissions of poems and anything about poets and poetry. We also publish critical/research articles, translation, book reviews, interviews, biographies, autobiographies, memoirs, essays, travelogues and creative writings pertaining to poems, poets and poetry. We consider both unpublished and previously published works.

We read submissions round the year. Reviewed and accepted manuscripts are published in the latest issue of the journal. Therefore, you are requested to wait until you receive our decision on the status of your previous submission. The response time can vary according to the number of submissions we receive. Remember,  poems submitted for the journal, VerbalArt can also be considered for its sister journal, Phenomenal Literature: A Journal Devoted to Language & Literature.

Submission Categories

Poetry: A set of five poems. Each poem should be a maximum of 40 lines.

Biography/Autobiography/Memoir/Travelogue: Submit a piece of Biography/ Autobiography/Memoir/Travelogue on/by established poet only. It should be of no more than 3000 words.

Interviews: You can send your interview with a celebrated poet and should not be of more than 3000 words. The interview should be informative and inspiring.

Book Reviews: Please read carefully our review policy:-

1. Please send your review for consideration as a Microsoft Word document atchandrashekhardu99@gmail.com

2. If you are interested in reviewing books for VerbalArt please send a mail to Review Editor at:  chandrashekhardu99@gmail.com

3. If you want us to review your book please send a hard copy of it on the following postal address:- 

                Dr Chandra Shekhar Dubey
                A-114/5, PARYAVARAN COMPLEX ,
                IGNOU ROAD
                NEW DELHI- 110030
                Mb No. 09868164405 

4. Any queries pertaining to the book reviews should be sent directly to Review Editor, Dr Chandra Shekhar Dubey at chandrashekhardu99@gmail.com

5. Please note, we can’t guarantee all books sent to VerbalArt will be reviewed and all reviews submitted will be published. The quality will be given preference.

Critical/Research/Academic Articles: Please read carefully to avoid the rejection of submissions:

1. Articles should be only on poets, poetry and poems.

2. Article should be a maximum of 3000 words.

3. Every critical/research/academic article if accepted for publication should be accompanied by submission fee. For details and options of pay please refer the page of subscription.

Translations: You can submit English translation of poetry too. The word limit of submissions will remain same as in the cases of original categories. If you are submitting work in translation, please indicate whether or not you are in possession of translation rights from its original poet.

Where & How to Submit

All submissions are to be sent as an MS Word attachment at an email id editor@verbalart.in (except book review). Don’t forget to mention your brief bio, email id, postal address and contact number (optional) at the top page of attached document.  You will receive Auto Response of your submission.

Disclaimer

VerbalArt retains the right to use the accepted work in future online or print anthologies, as well as in the online archives. All other rights remain with the author. The journal will not be liable in any way for any sort of copyright infringements/plagiarism.

Compensation

Every Indian contributor will get a free print copy and foreign contributor will get a free ecopy of the journal in which issue his submitted piece is published. Even foreign contributor can get a free print copy of the journal if he/she bears the shipping charge. This is indispensably required as we don’t want to take a risk of another literary journal getting ceased its publication after few issues because the cost of shipping the journal to overseas is more than its printing price.

Visit the website: http://verbalart.in/submission.php

Call for submissions: Lagos Literary and Arts Journal

20 May 2016

Lagos Literary and Arts Journal is always in search of exceptional talents to promote.

If you feel you believe you are a good writer whose voice should be heard all over the world, send us your best short fiction, essay or poem.
If you have taken some extraordinary photographs, and you think you should rank amongst the best, send them to us with your bio.
If you have written a review about a book you have just read, and you want other people to know about the same book, send us the review and we will pass the message along.
If you have met a great artiste (writer, musician , artist) you think is so amazing and is worth promoting, send us your report .
If you have interviewed any of them, all the better, send us the interviews and some pictures, we will do our best

Lagos Literary and Arts Journal publishes all genres of creative writing and media related to creative endeavors – including but not limited to poetry, fiction, essay, memoir , drama; political essays, satire, profiles, book reviews, anything to stimulate public interest in Nigerian art and culture. As much as possible please keep the length of all submissions below 2500 words; and the size of other media (image. video. audio) less than 3MB
You may submit files of following type; doc , rtf, jpg , gif , png,
Submissions are invite from all over the world.
All work to be considered for publishing should be sent to the editor at the following : editor@lagosliteraryjournal.com.

Payment
LLAJ is primarily a promotional publication, aiming to bring to light the work of new talents. We generally only pay an honorarium of $20 ($10 for poetry) for any work used in the print edition.

To obtain a sample copy of the journal (N800), visit our editorial and fulfillment office at:
AM Book and Team Publishing Limited
1 Olanipekun Street, Ososami Road,
Ibadan

Visit the website:  http://www.lagosliteraryjournal.com/content/submissions

Switchback Flash Contest

20 May 2016

Switchback is an online publication of the MFA in Writing Program at the University of San Francisco. We are a biannual journal because that’s about all we can handle. We generally open submissions for a few months at a time, then catch our breath while we put together the issue. Please read the guidelines below carefully before submitting. On behalf of everyone here at Switchback, thank you for considering us!

General Guidelines OR Things You’ll Want to Know about Us Quickly

1. We only consider previously unpublished works. No exceptions. Thank you.
2. We do not accept submissions via email or postal service. You can submit your work to us through Submittable. If you run into any technical difficulties in uploading your submission, please contact us at submissions@swback.com.
3. We do accept simultaneous submissions; however, we ask that you notify us as soon as humanly possible if your work is accepted elsewhere. If you’re exclusively submitting work to us, we appreciate the thought.
4. If you’re submitting prose, please limit your submission to one story or essay at a time. And make sure your work clocks in at or under 7500 words. We won’t consider any prose pieces over 7500 words. Period. Sorry, but dem’s the breaks.
5. If you’re submitting poetry, please submit to us no more than three poems. We like things in threes: Olympic medals, wishes, Cerberus heads, jazz ensembles. We don’t like things in fours, except when it comes to lists of things in threes.
6. Before submitting, please read some of our back issues to familiarize yourself with the content we choose to publish. It’s all readily available on our Web site, so there’s really no reason not to.

Following these guidelines will allow us to take you and your work more seriously. If you break the rules, we will swiftly and speedily fail to read your work.

How to submit:  http://www.swback.com/call

Now a quick word from our respective genre editors.

FICTION MANIFESTO:

This issue the fiction team anticipates receiving more submissions than ever before; and trust me, there were a lot before. What can you do to make your story stand out? Fancy type won’t do it. Unneccessarily strange structure won’t do it. And length won’t do it either. All you can do is send us something that is so good, we’re sad when we get to the last page. We love to read. We’re excited to read your story. Give us something great.

-Carrie

NONFICTION MANIFESTO:

We want good essays, personal or not. Send us the story of a family through generations or a history of the thimble. Send us whatever true thing you want, and make it pretty. There’s nothing we won’t look at, and no subject we believe unworthy.

– Robert

POETRY MANIFESTO:

We are looking for inventive poetic connections. Send us poems that are artful, intelligent, and inspired by the world around you. We seek work which embodies a broad view, even while exploring the minutia of everyday life. We encourage poems with an eye on social justice themes (but save us from reading rants, please). Send us informed pieces that use form and structure as essential scaffolding of your poetry, whether that is in a form, prose, or using white space. We love complexity balanced with simple poetic moments. Switchback accepts pieces from well-read writers, attentive to not only the American poetry lineage, but poetry’s global roots as well. Please remember, three poems at a time.

– Virginia

LITERARY REVIEWS MANIFESTO:

Switchback regularly publishes reviews of fiction, nonfiction, and poetry on our Web site. As a rule, we generally prefer to read reviews of lesser known works, of books you’re less likely to come across in the New York Times Book Review or Publishers Weekly, but we’re open to all good writing. Reviews should fall somewhere between 500 and 2000 words. Please state in your cover letter what genre your review falls under, so we may pass it along to the correct genre editor. Publicists interested in sending us catalogue listings or review galleys of forthcoming titles should send a query to editor@swback.com.

ART MANIFESTO:

Switchback features artwork in a number of different contexts. If possible, please include a statement with your submission indication how you envision your art being featured in Switchback.

1. As “cover” art, used as the background art for our issue.
2. Single pieces, to be displayed alongside an individual work of writing.
3. As part of a “featured artist” feature. To be considered as one of Switchback‘s featured artists, we ask that you submit a series of at least five pieces, along with an artist’s statement about the work.

Questions? Just email editor@swback.com.

Switchback at SubmittableOnce again, Switchback no longer accepts email or hard copy submissions. SUBMIT TO SWITCHBACK USING SUBMITTABLE. If you experience any technical difficulties uploading your submission, please contact us at: submissions@swback.com.

 

Last Call for Submissions: Poetry Super Highway Holocaust Remembrance Day

28 April 2016

The mission of Poetry Super Highway is to expose as many
people to as many other people’s poetry as possible.

Holocaust Remembrance Day (Yom Hashoah) is next Thursday, May 5th, 2016. We’re looking for submissions of poetry written in response to the Holocaust for our 18th annual Yom Hashoah (Holocaust Remembrance Day) issue.

  • Submission deadline is this Friday, April 29th (6:00 pm pacific) to be considered for this special issue.
  • Send no more than 3 poems in the body of an email (No Attachments)
  • Include a short bio which includes what city you live in.
  • Poems submitted to or published in previous PSH Holocaust Remembrance Day issues (regardless of whether we publishd them) are not eligible for re-submission.
  • The subject of your email should be “Holocaust Poetry Submission
  • E-mail your submission to potw@poetrysuperhighway.com (please note you will receive an automatic response indicating your work has been received for “weekly Poet of the Week consideration”…as long as you specify in the email subject that this is for the special Holocaust Remembrance Day issue, we will understand to consider it for this special issue.)
  • Please note, because of the extremely tight turnaround for this annual issue, and the huge amount of work that goes into putting it together, we cannot accept any submissions that deviate from these guidelines.

PoetrySuperHighway.com | Haikuniverse | Facebook | Twitter

Good Reads by Award Winning Poet, Author – LB Sedlacek

11 April 2016

THE POET’S SURVIVAL GUIDE 4: ACTIVE DUTY
The fourth ebook in the popular series
just for poets continues with “Active Duty!”
Are you a poet?  Is it tough surviving
life as a poet?  Do people still look
at you funny when you say you are one?
Do they want you to write toasts for their
weddings or love poems?  What does it
mean to be a poet?  In this offering,
you will learn that “Yes, You Are a Poet!”
Plus more on being a performance artist,
persistence, how to refresh your poetic
skills, and use poetry to help others.
Plus there’s the bonus of more
Secret Poetry Weapons – skills to keep
your life upas a poet (no matter what
you may or may not do for a living!)
Order your ebook today (Kindle):
“The Poet’s Survival Guide 4:  Active Duty”
http://www.amazon.com/dp/B011VCXN40

From Chapter 5:  Persistence:  
“Is it hard to be a poet?  Oh yes!  
How many people look at you funny
(that aren’t writers or poets themselves)
when you say you are one?  Besides the
fact, you won’t find many readers of it
anyway they will wonder just what it is
you do and then the next inevitable
question will be do you make a living
with it.  You have to live, breathe, eat,
sleep poetry to be a poet.  If you
don’t know what that means, are you
living up to your true poetical nature?

THE POET’S SURVIVAL GUIDE 1
“How to Write and Make $ With Your Poetry”
17 chapters for new or established poets trying
to earn and make a living with poetry.  

THE POET’S SURVIVAL GUIDE 2
“In The Trenches”
Features more of what you should know and do to
make a living or a part-time living writing poetry.  
11 chapters on how and where to sell your poems.
Includes PR tools.

THE POET’S SURVIVAL GUIDE 3
“Back to Boot Camp”
The Poet’s Survival Guide series is back with a part 3, a new
offering for 2012.  In this guide for poets, get back to the basics
to sustain your life as a poet.  Improve your odds.  Create your
best poems.  Figure out which way to go:  electronic or paper.  
Branch out and get your poetry fix while creating and maintaining
new and tried and true ways to continue your career as a poet.

TO ORDER:

The Poet’s Survival Guide 1 – Book
http://tinyurl.com/2aelqah

The Poet’s Survival Guide 1 – E-book
http://tinyurl.com/asfoon

The Poet’s Survival Guide 1 – Kindle
http://tinyurl.com/6b6er22

The Poet’s Survival Guide 2 – E-book
http://tinyurl.com/2b4hrkj

The Poet’s Survival Guide 2 – Kindle
http://www.amazon.com/dp/B004ZQRP5S

The Poet’s Survival Guide 3 – E-book
http://tinyurl.com/d4nspre

The Poet’s Survival Guide 3 – Kindle
http://www.amazon.com/dp/B00J0ZCD3I

The Poet’s Survival Guide 4 – Kindle
http://www.amazon.com/dp/B011VCXN40

~~~~~~~~~~~~~~~~~~~~

NEW BOOK PUBLISHED:
“The EP Hunting Club: Book One The Poem Code”
by LB Sedlacek
E.P. Huntington is just a maintenance guy
for the GBT (Great Big Thing) and the other
telescopes and labs at the National Radio
Astronomy Observatory. An artist, a poet,
and a novice astronomer, Janise Birch was
all that until she disappeared. She left
something behind. Does her last poem, her
most ingenious work contain an important
message for us all? Her cousin, Darius,
his best friend, E.P., and her Astronomy
Professor are about to find out.
http://www.amazon.com/gp/product/B016HAKXKS

NEW MEMOIR NOW AVAILABLE:
People don’t drive cars through buildings –
that’s what I used to laugh and say when I
would see it on TV or in the movies. A few
days before, I had seen a movie, a comedy,
where a car drove through a building and
I had said that never happens – people
don’t drive through buildings. But then,
then it happened to me. I wasn’t in the
car. I was in the building. This is my
story … “Life after Wreck” a memoir
by LB Sedlacek available on Kindle:
http://www.amazon.com/dp/B01B5E9Q1S

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

THE POETRY MARKET EZINE POEM CRITIQUE SERVICE

NEED HELP GETTING YOUR POEMS PUBLISHED?

You can have your poems critiqued to get them in shape and
ready to go.  Affordable rates.  Poems critiqued for theme,
style, grammar, punctuation, word use, form, content, etc
to make them publication ready.

1 Poem Critique:
http://tinyurl.com/3podrvf

2 Poems Critique:
http://tinyurl.com/3j3yxe2

3 Poems Critique:
http://tinyurl.com/3jqntjj

5 Poems Critique:
http://tinyurl.com/3tswymn

The Poetry Market Ezine
http://www.thepoetrymarket.com
Click on Poetry Critique Service.
More critique options available.

———————————————————————————————
———————————————————————————————

“District of Confusion (The
Washington, DC poems)” by
LB Sedlacek

Poems written April 2012 and
they are one poet’s return to
Washington, D.C. They were written
on this particular trip back to
visit Washington, D.C. where I
lived for many years.  Poems include
“True Story:  Outside Ford’s Theatre,”
“Cups for Money, Cups for Food,”
“The Former Court of Neptune,”
“Red Brick and Cobblestone,” and
“Union Station Poem (Washington, DC).”

To order:
http://tinyurl.com/cdkcccz

Also by LB Sedlacek, now on Kindle:
“The Cat and the Carroll A. Deering
and Other North Carolina Poems”
http://tinyurl.com/az46d6z

———————————————————————————————
———————————————————————————————

SUBMISSIONS WANTED:
Currently accepting poetry reviews submissions of poetry
book or chapbooks.  
Guidelines
http://www.thepoetrymarket.com
click on ABOUT) or email for guidelines.

Yellow Chair Review – call for submissions

11 April 2016

Yellow Chair Review is a literary journal accepting submissions of poetry, prose and art.  Issues release quarterly.   We seek to act as a safe space for both readers and writers from marginalized groups. We are particularly interested to see submissions from POC and the LGBTQ community.

These same standards and practices extend into our Press.

Submission Guidelines:

WE ARE NOW USING SUBMITTABLE.  PLEASE NO MORE EMAIL SUBMISSIONS. (LINK BELOW)

Please see our publication schedule for details on what we’re looking for.

Deadlines:  Submittable will always have our current deadlines posted. 

Written Work:

  • Include a brief (50 words or so) 3rd person Bio.  Include a link to your website!
  • Please do not send a long explanation of your work.  Let your work speak for itself.
  • Poetry – 5 poems maximum and no longer than 10 pages
  • Send all work in ONE FILE.  Do not send multiple submissions in the same category or multiple files.
  • Prose – Flash Fiction or Non-Fiction only.  1000 words or less and up to 2 pieces
  • We will also consider Found Poems, Ekphrasis Poems (so long as you have permission to include the art with it) and Erasure Poems.
  • No previously published work.
  • Simultaneous Submissions accepted.  Please notify ASAP if your work is accepted elsewhere
  • If submitting to an Issue expect a response within 48 hours.

Art:

  • Please submit your stick figures, paintings, illustrations, drawings, digital media, photography, or anything not listed here that could be considered art.
  • You may submit up to 5 pieces.
  • Submit a bio and the medium the work is in.
  • Artwork should be high-resolution digital copies.
  • Images of your artwork must be attached in jpeg, png, or tiff format.
  • All submitted artwork will automatically be considered for the cover art of that issue.
  • If submitting to an Issue expect a response within 48 hours.

By submitting the writer/artist acknowledges:

  • Work must be final and checked for grammatical and spelling errors.
  • Minor grammatical and spelling edits may be needed.  If they are you will be notified.
  • Yellow Chair is currently a non-paying market.
  • Publication is currently online only via issuu.com or wordpress.com.  Your work may also appear as a feature on Twitter and on Facebook.
  • Yellow Chair requires first North American serial publishing rights, after publication all rights revert back to author.  All accepted work will remain archived online.
  • Accepted work may appear in an annual print anthology.  If your work is chosen for this anthology you’ll be notified.  We cannot provide contributor copies at this time but hope to change that in the future.
  • Yellow Chair asks that any reprints give first publication credit.

Visit website for submission details:  http://www.yellowchairreview.com/#!ycr-submission-guidelines/c1lzv

Call for submissions: LUNARIS REVIEW Journal

9 January 2016

GUIDELINES FOR FICTION, CREATIVE NON-FICTION AND ESSAYS SUBMISSION

We publish literary fiction (flash fiction, short story and creative nonfiction). Lunaris Review accepts submission of flash fiction up to 1,000 words; short story, creative non-fiction up to 4,000 words and essay not longer than 7,500 words. We do not accept sci-fi and erotic compositions.

Submission should be sent as attachment in .doc or .pdf format using double line spacing. The attachment should include your name, email address, the title of the story and the word count. In the subject line write in caps: YOUR NAME: FICTION/ESSAY SUBMISSION.

Guidelines for Poetry

Lunaris Review accepts poems of diverse thematic pre-occupations, forms and styles. Please do not send more than four poems per submission period and the length of individual poems should not exceed 40 lines. Although, longer poems would not be declined, but shorter poems would be given first consideration.

Submission should be sent as attachment in .doc or .pdf format using double line spacing. The attachment must include your name, email address, the title of the poem(s) and the number of lines. In the subject line write in caps: YOUR NAME: POETRY SUBMISSION.

Guidelines for Artwork and Photography

Visual Artwork (photographs inclusive) will be considered for the cover and/or interior of each issue. Please do not send more than seven pieces per submission period. Any format is acceptable

Attach your works as high-resolution files. In the subject line write in caps: YOUR NAME: ARTWORKS/PHOTOGRAPHY SUBMISSION.

General Guidelines and Policy

In the body of the email, include; your name, your email, and a brief biography. We publish only works that have not been previously published, either online or in print. Multiple submissions are not accepted. We accept simultaneous submissions; however let us know right away when/if such work has been accepted elsewhere, in the case of which you would need to withdraw your submission through an email notification. All submissions should be sent to africa@lunarisreview.com.

By sending us your work you are stating that the work is your own, and do not infringe on any copyright. You are also stating that we acquire first rights (that is, we do not accept previously published works) to publish your work in the event that it is accepted. The rights of any published work in this journal remain with the contributor, and we ask that you acknowledge Lunaris Review if you republish such work.

We reserve the right to copyedit your work before publishing it. Any significant changes to content will be approved by the author prior publication. We also reserve the right to use your work in all promotional material for the journal. We do not charge submission fees and do not pay contributors for now but would put up necessary information should/whenever that change.

Entrust us with your best work and let us share your creativity.

JOURNAL SUBMISSION WINDOWS

    • January issue: October 1st – November 30th
    • April Issue: January 1st – February 28th
    • July issue: April 1st – May 31st
    • October Issue: July 1st – August 31st

Any work received after the deadline would be automatically considered for the following issue.

How to submit, visit: http://lunarisreview.com/submit-journal

Rat’s Ass Review Call for Submissions

2 March 2015
Rat’s Ass Review is back in business and once again soliciting submissions.
Submissions info is at:  http://ratsassreview.net/
Submissions are to be sent to:  ratsassreview@gmail.com
The info which you showed before remains correct:
Editor plans to publish poetry that he likes.
 
No theory, no themes, just his personal taste.
 
Also no pay.
 
Online only.
Visit the website:  http://ratsassreview.net/

Palaver Journal call for submissions

2 March 2015

Palaver is UNCW’s online interdisciplinary journal housed in the Graduate Liberal Studies program.

Palaver seeks creative and academic submissions that defy the confines of a single discipline.

We accept art submissions in any medium, including video, still image, and multimedia.

Visit us at palaverjournal.com to peruse our past issues and to submit your work!

Email us at:  admin@palaverjournal.com with any questions.

Please make sure you follow us on Twitter and like us on Facebook.

Visit the website: http://palaverjournal.com/submit-to-palaver/

Zoetic Press Calls for Submissions

21 January 2015

Zoetic Press wants art and literature that tiptoes the tightrope between now and then—we are actively reading submissions for both NonBinary Review & Unbound Octavo.

We want language that makes us reach for a dictionary, a tissue, or both. Words in combinations and patterns that leave the faint of heart a little dizzy. We want insight, deep diving, broad connections, literary conspiracies, personal revelations, or anything you want to tell us about the themes we’ve chosen. Literary forms are changing as we use technology and typography to find new ways to tell stories—for work that doesn’t fit neatly into any one genre, we’ve created a separate category to properly evaluate submissions of a hybrid or experimental nature.

Each issue of NonBinary Review is focused on a single theme:

 

Issue #5 (reading period closes April 1, publication June 2015): Robert W. Chambers’ The King in Yellow

https://nonbinaryreview.submittable.com/submit/36219


Issue #6 (reading period closes June 1; publication August 2015): 1001 Arabian Nights

https://nonbinaryreview.submittable.com/submit/37890

 

 

We are a paying market–1 cent per word for prose/hybrid work, $10 flat fee per poem, and $25 flat fee for art.

 

Please note that at present, the Zoetic app is accessible through iPad & iPhone only, with future updates to include Android versions. When submitting your work, please note that if selected for publication, your work will appear in electronic form only. Please download our free app to familiarize yourself with our content and unique publishing model!  http://ow.ly/xj6fa

 

 

For more detailed guidelines, please expand the guidelines box of the genre you’re submitting to on our Submittable page.

https://nonbinaryreview.submittable.com/submit

***

 

Unbound Octavo is a collaborative publication, with each issue featuring a set of “interlocking” stories created by authors who may never have otherwise “met”—we are reading stories which interlock into the current story published on the website—every six weeks, a new story will post online and we’ll be reading stories related to the new posted story. UO’s word limit is 1,000 words for interlocking stories.

 

To read the current story we’re looking for which we’re seeking interlocking stories, please visit www.unboundoctavo.com

 

To submit a story (up to 1000 words) to Unbound Octavo, visit:

https://nonbinaryreview.submittable.com/submit/35982

 

Unbound Octavo is a paying market, $25 flat fee per piece of art or flash fiction!

 

***

 

Zoetic Press is always looking to publish reviews—though this is the only category for which we do not pay authors, we definitely work hard to promote authors through our social media networks. Unlike our imprints NonBinary Review & Unbound Octavo, book reviews are published online.  To submit a review, visit:

https://nonbinaryreview.submittable.com/submit/36181

 

***

 

Zoetic Press is seeking associate editors! This position is a volunteer position & will require no more than a 4-hour weekly time commitment. We are looking for associate editors with a background in the arts, who can give articulate feedback on fiction, poetry & visual art. The duties for this position are light, and include reading submissions, voting on submissions, and basic copy editing duties. To join our team & gain experience working for a publisher on the cutting edge of technology, send a cover letter and resume to: alliebatts@narrativetechnologies.com

Last Call for Submission: Poetic License 6@6 Reading Series – Deadline: November 20, 2014

19 November 2014
Poetic Theater Productions is seeking submissions for the 6@6 Reading

Series in Poetic License: our 4th annual festival of new poetic

theater, taking place February 2-22, 2015 at Wild Project.

To Submit:

Please fill out the form on our website, poetictheater.com, and e-mail a PDF of your play to submit@poetictheater.com by Thursday, November 20, 2014 for consideration.

Please include your name and contact information along with the script in .PDF format with the file name LastName_FirstName.PDF (i.e. Doe_John.PDF).

Due to the festival time constraints, scripts should be no more than 75 minutes in length.

17 shows have previously been read in the 6@6 Reading Series. Highlights include: Foreign Bodies by Eboni Hogan, faith by Caroline Rothstein, Ricky’s Way by Maurice Decaul, and Paradox of the Urban Cliché by Craig muMs Grant Poetic Theater Productions seeks to define the modern genre of “poetic theater” by connecting and fostering a community of artists who are passionately creating relevant and accessible work and reinvigorating a conscious theater of language.  Through a multi-runged platform of developmental programming, Poetic Theater Productions offers resources and opportunities for poets, playwrights, and theater artists to develop new work and see it through to production. PTP seeks out and creates opportunities to connect with communities affected by the issues of topic within our productions, in NYC and nationwide, through collaborative projects and exchanges of art and ideas.

Visit the website:  poetictheater.com

Call for submissions: Creative Nonfiction.org

19 November 2014

“Exploring the Boundaries”

$3 reading fee

Deadline: January 20, 2015

“Exploring the Boundaries” is a recurring section of our magazine. We’re looking for writing for our next issue that is ambitious, pushes against the conventional boundaries of the genre, plays with style and form, and makes its own rules.

https://creativenonfiction.submittable.com/submit/19757

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Beyond Crazy, book

$3 reading fee

Deadline: February, 9, 2015

For an upcoming anthology, we’re seeking original stories that address—either directly or obliquely—the trials of living with mental illness. 

https://creativenonfiction.submittable.com/submit/35836

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Becoming a Teacher, book

$3 reading fee

Deadline: March 9, 2015

For an upcoming anthology, we’re looking for stories by and/or about elementary and secondary school teachers, recalling and reflecting on the most salient moments of their careers.

https://creativenonfiction.submittable.com/submit/35652

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The Weather issue essay contest

$20 reading fee, $25 with magazine subscription

Deadline: April 13, 2015

We’re not just making idle chit-chat; the weather affects us all, and talking about the weather is a fundamental human experience. Now, as we confront our changing climate, it may be more important than ever. Essays must be vivid and dramatic; they should combine a strong and compelling narrative with an informative or reflective element and reach beyond a strictly personal experience for some universal or deeper meaning.

First place prize: $1,000

Runner-up prize: $500

https://www.creativenonfiction.org/submissions/weather

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Visit the website:  https://www.creativenonfiction.org/submissions
Contact information@creativenonfiction.org with questions

Last call for prose, translations, hybrid work and visual art submissions at Duende!

19 November 2014

We are open for submissions until November 30, 2014 for prose, translations, hybrid work and visual art. (The deadline for poetry submissions was November 15, 2014.)

Duende welcomes submissions of prose, hybrid writing, and visual art. We are especially interested in collaborations between two or more writers, or between writers and visual artists. We accept submissions from writers working in English, or translating into English, from anywhere in the world.

Duende tastes good on the tongue and caresses the ear. Duende seeks authenticity & soulfulness, earthiness & expressiveness, a chill up the spine. It encompasses darkness and intensity; elicits sorrow and joy; wrests a response from the body.

Duende aspires to represent the true beauty and diversity of the U.S. literary ecosystem. A majority of the work we publish will be from writers and artists who are queer, of color, differently abled, immigrant, working class, youth, elder, and / or otherwise from communities underrepresented in U.S. literary magazines and journals. Please send us your work!

DUENDE Literary Journal seeks your literary and visual art for its Spring 2015 issue. If your fiction will make us feel more human and less alone; if you enjoy exploration of new forms at the edges of the literary universe; if you can bring us elegant translations of literature from far corners of the globe; if your nonfiction is wild and honest; if your visual art is raw and earnest, we want to see it. Our mission is to publish work from writers and artists from communities underrepresented in U.S. literary magazines and journals. Open for submissions until November 30, 2014. DUENDE is edited, curated and produced by students in Goddard College’s BFA in Writing Program. http://duende.submittable.com

Visit the website for submission details:
http://www.duendeliterary.org/submissions/

Call for Submissions: The Multiple eXposure Project Zine 1.0

13 October 2014

Attention writers, researchers, photographers, visual artists, and image-makers!

The Multiple eXposure Project is a multimedia, multi/trans/inter-disciplinary artistic practice and research-based initiative that explores the many layers of image-making, participatory photography, visual ethnography, and performative encounter(s) between the image and the spectator.

We are happy to announce that we will be publishing the very first issue of our collaborative zine and we are now accepting submissions until December 31, 2014.

The theme of our upcoming zine is “Self-as-Subject”, an exploration of the “self” and its manifold permutations – its presence, identity, representation, liminality, and (dis)embodiment – in this day and age of digital madness, hyperreality and mobility.

The zine is multimedia so we are accepting text and image-based submissions related to the theme in any format imaginable such as: articles, essays, reviews, short stories, poetry, interviews, photographs (film or analogue), visual narratives, videos, digital art, illustrations, cartoons, mixed media, collages, experimental pieces, etc. Collaborative projects are very much welcome. Multiple entries are also accepted. Digital and printed copies of the zine will be released.

Some notes to remember:

–   Please include your name, short profile, country of origin, and blog/website (if applicable) in your email.

–   Photo submissions in jpeg format must include a title and description.

–   When necessary, please follow the proper citations (MLA style) in article submissions.

Please email your submissions to themultipleexposureproject@gmail.com.

For more information on The Multiple eXposure Project, check out our website: http://www.themultipleexposureproject.co.nr

Writing Guest Blogging: Daily (w)rite A Daily Ritual of Writing

12 October 2014

Guest Post Guidelines

The guidelines might change with time, but so far this is what I request. I realize the list is long, but it is essential in order to avoid misunderstandings and time-wasting down the road. I respect your time and effort, and this is a good way to ensure neither is wasted. The following requirements are also valid for guest interviews.
General Guidelines:
•  Your post must be original and must not have been published before on the web.
•  You agree to not publish the post anywhere else for 3 months after it is published on this blog, to maintain its uniqueness.
•  The guest posts need to be related to reading, writing, publishing, inspirational, or self-improvement/ lifestyle topics, as that is what this blog is about.
•  You may include two links in the byline, which will be displayed at the bottom of the post, and one link inside the post linking back to your blog/ content.
•  Please include a bio, so readers can get to know you better, and add your Twitter handle, if you have one. Your own picture would be nice, but it is optional. These would help me feature you on my Guest Blogger page, dedicated to all the writers who have guested on my blogs.
•  Please send in an accompanying image that is relevant to the post, and is not so heavy that I have to resize it.
•  Please ensure that the post is well-edited, readable, and written in good English.

Promotion Guidelines
•  Talk about the guest post at your blog and on Twitter or any other social media, so the post you write gets comments from your regular readers. I’ll do the same, but I’ll notice if you do not make any effort to promote your own post.
•  Stick to a word count of up to 400 words to ensure that you hold the readers’ attention. A well-thought-out title would attract more visitors, which is after all what this is all about: providing you more exposure.
•  Ensure that you’re available to interact with readers who comment on your post.
Formatting Guidelines
•  Make sure to include the author byline at the bottom, with the link to your website, twitter links etc. already formatted.
•  Make sure the paragraphs are short, for easy reading. Bullet points welcome.
Submission Guidelines
·      Before you submit a guest post, please check with me about the topic etc so I can tell you if it has been covered recently, or is not relevant to the blog. This should be done at least a month before you want the post to appear.
·      I do not support overt advertisements, unless it is to promote an author’s book: fiction, or related to publishing fiction in some way.
·      You can send the post to me on the email atozstories at gmail dot com. Please include the post in the body of the email itself, or as a .doc attachment. It is helpful if you add the link to your site/blog on all your mails, so I can easily find what to promote.
·      Usually within 2-3 days of receiving it, I’ll reply stating what date the post will be up.
·      The guest post should be with me at least four days before the date of publication, so I can schedule it correctly, and in some cases, run it by you, to check everything looks right.
·      I would mostly feature regular followers of my blog or authors I have interacted with before, so any outside blog tours must discuss a possible guest post or interview with me about two months in advance.
 
I’ll make exceptions to some of these guidelines as and when necessary, but that depends entirely on the circumstances. Any questions, tweet me up@damyantig, or mail me at atozstories at gmail dot com.
Visit http://damyantiwrites.wordpress.com/guest-bloggers-on-amlokiblogs/  the Guest Bloggers page for examples of acceptable writing submission. No spam or commercial advertisement whatsoever!
Visit the website:  http://damyantiwrites.wordpress.com/

About the writer:

Damyanti is an established freelance writer who wants to try out an experiment. She has an ambition of writing something everyday, something that could be long or short, on any topic whatsoever, but always imaginative and meaningful.

She is also trying to figure out a way to step into fiction: a field she has touched before, but never professionally. She has been published in QLRS, and her stories have been included in different anthologies by Twelve Winters Press, USA , Monsoon Press Singapore, Marshall Cavendish Singapore , MPH Malaysia and others.

Call for Submissions: The Chattahoochee Review – Fall/Winter 2014

6 July 2014

CALL FOR SUBMISSIONS: SKIN

The Chattahoochee Review seeks submissions for its Fall/Winter 2014 double issue with a special focus on “Skin.” Literal and figurative explorations of the theme welcome. We’re particularly interested in sophisticated treatments, whether of sexuality, race, health, species, food, anatomy, or surfaces. Please note the call for submissions in a cover letter and follow the general guidelines below. Our special-focus issues fill quickly; we encourage submissions by August 1, 2014.

GENERAL GUIDELINES

TCR welcomes online submissions via Submittable. We no longer accept paper submissions. General submissions will close during the month of January, but prize submissions will be open during that time.

Since we acquire first North American rights, submissions should be works previously unpublished in North America. Please single-space between sentences. We appreciate a short cover letter with a concise bio that could be used should we publish the work. Please inform us of a simultaneous submission and email us immediately if the work is accepted elsewhere. Please do not mail or email submissions; to be fair to all submitters, these will be returned unread. Questions? Need to withdraw a poem or part of a submission? Email us at gpccr@gpc.edu. Need to withdraw another genre or an entire submission? Please do so via Submittable.

Familiarity with our journal is the best way to know whether or not work is right for us, and reading in general improves writing; we strongly encourage reading a sample copy or subscribing before submitting. Our current issue, Volume 34.1, is available in a Kindle Edition for $3.99, and the first issue under new editorship, featuring Aimee Bender and Natasha Trethewey, is available for $4 in PDF. Please consider reading an issue before submitting. Our response time averages three to four months, longer only in special circumstances. We read year-round.

Submit only your very best work with our assurance it will be given every consideration.

FICTION
TCR publishes high quality literary fiction characterized by interest in language, development of distinctive settings, compelling conflict, and complex, unique characters. Please read a sample copy. Fiction should be double-spaced with numbered pages and one-inch margins. Submit only one story or up to three short-shorts (500-1,000 words each). We consider longer stories of up to 6,000 words and novellas.

POETRY
TCR publishes excellent poetry of all types, including informal personal narratives, prose poems, and formal poems. We consider English translations of poetry from other languages, in which case a brief biography of the poet and translator should be included. Poetry should be single-spaced and include three to five poems per submission.

NONFICTION
TCR publishes distinctive topical essays and personal creative nonfiction of any kind; this includes pieces that might fit into the memoir, travel, and historical nonfiction categories. We are not an academic journal and publish for a general readership. Above all, we are interested in publishing nonfiction that surprises and intrigues us.

INTERVIEWS
TCR publishes interviews with writers of all kinds: literary, academic, journalistic, and popular. Recent interviews have featured Kwame Dawes, Tony Grooms, Wells Tower, Larry Brown, Claude Wilkinson, Ferreira Gullar, and Kunal Basu. Please query us at gpccr@gpc.edu with a proposal for a particular interview.

REVIEWS AND REVIEW ESSAYS
TCR publishes reviews of current fiction, poetry, and nonfiction books, especially those from writers with an innovative approach to subject matter. Several related works may be reviewed at more length in a review essay that engages critical issues not appropriate to a single review. We are always in search of new reviewers. Please query us at gpccr@gpc.edu about the possibility of a particular review or review essay, specifying your credentials for the review.

VISUAL ART
TCR accepts visual art submissions, photography included, by invitation only.

PAYMENT

All contributors receive two copies.

Deadline: August 1, 2014

Visit the website:  http://thechattahoocheereview.gpc.edu/submissions.htm

Submit Work to Teen Ink & Get Published!

21 June 2014

Teen Ink has no staff writers; we depend completely on you to send writing, art, and photos. There is no charge to submit or be published. All submissions will be considered for publication in Teen Ink’s print magazine and website.

General Guidelines
  • All submissions of writing and artwork will be considered for publication in our monthly print magazine and on TeenInk.com, and are also automatically entered into any relevant contests.
  • Teen Ink has no deadlines. We accept submissions year round. If, however, you are sending work that is holiday-specific, please submit it at least two months ahead.
  • You must be 13 to 19 years old to be a TeenInk.com user and be published in Teen Ink magazine.
  • Requesting anonymity. If, due to the personal nature of a piece, you don’t want your name published, please check the anonymous box when submitting your work. We will respect your request and not publish your name in print or online, but we must still have accurate name and address information for every user.
  • All materials submitted become the property of Teen Ink. By submitting your work to us, you are giving Teen Ink and its partners, affiliates, and licensees the non-exclusive right to publish your work in any format, including print, electronic, and online media. However, all individual contributors to Teen Ink retain the right to submit their work for non-exclusive publication elsewhere, and you have our permission to do so. Teen Ink is copyrighted by the Young Authors Foundation, Inc.
  • Plagiarism. Teen Ink has a no-tolerance policy for plagiarism. We check the originality of all published work through WriteCheck.

How to submit, visit:  http://www.teenink.com/submit

Call for submissions: A Letter To My Mom book project

20 June 2014
I work at a small production company in Los Angeles, and our next book, A Letter to My Mom, honors the powerful, loving, complicated, one-of-a-kind relationships we all have with our mothers. It’s a collection of personally-crafted letters to moms written by individuals from all walks of life including celebrities, influencers, everyday people and kids.
We are trying to include letters from all over the country, which is why I am reaching out to you.  We want to get as many letters as possible – and provide the letter-writers a chance to be published in our book.
Here is a little more info on the books we’ve done: 
A Letter to My Mom will be published by Crown Archetype, a division of Random House, and is the third book in the “A Letter to…” series created by Lisa Erspamer, former co-EP of The Oprah Winfrey Show and Chief Creative Officer and Executive Vice President of the OWN network. The publication date is May 2015.
 
The first book, A Letter To My Dog, and the highly anticipated follow-up, A Letter To My Cat, feature letters from celebrities including Oprah Winfrey, Tony Bennett, Kristin Chenoweth, Dr. Oz, Hilary Duff, Chelsea Handler, Dita Von Teese, Amy Smart, Mariel Hemingway, Tyler Perry, Cynthia McFadden, Robin Roberts and more.
 
A portion of the proceeds from every book in the series goes to charity, and for A Letter To My Mom, we are teaming up with Baby2Baby.  Baby2Baby supplies Los Angeles families in need with essential baby gear and clothing for their children up to age 12. By distributing new and gently used items to over 50 non-profit organizations including homeless and domestic violence shelters, Head Start programs and hospitals, Baby2Baby serves over 67,000 children each year.
 
Again – we would love your help getting members from your organization to submit letters and join us in this special project honoring our moms!
If they are willing to participate, they’ll need to write a letter with a maximum of 700 words, and provide a couple of favorite photos of his/her mom, as well as a couple of shots of them together, from various stages of their lives.
Here is our landing page where folks can go to submit letters:
http://www.alettertomymom.com

Call for submissions: Duenda online literary journal

5 May 2014
Please send prose, poetry, hybrid work, translations, visual art & literary collaborations to DUENDE: the new, online literary journal of Goddard College’s BFA in Writing Program. DUENDE seeks authenticity & soulfulness, earthiness & expressiveness; as Lorca said, DUENDE “climbs up inside you, from the soles of the feet.” Submissions for our inaugural issue accepted through June 1, 2014. First issue debuts online in October. Writers from underrepresented groups especially welcome.
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Letter to Potential Submitters:
Duende…insinuates authenticity and soulfulness, earthiness, expressiveness and a chill up the spine.  It encompasses darkness and intensity.  It emotes.  It elicits sorrow and joy.  It wrests a response from the body.It is a word and concept that experts attempt to translate in paragraphs and pages. In a full lecture on duende given in 1933,  Frederico Garcia Lorca says that it brings the artist face-to-face with death.  The artist must fight to uncover its gifts.  He calls it “a sort of corkscrew that can get art into the sensibility of an audience” and says it “climbs up inside you, from the soles of the feet.”

We ask you for your deepest and best work.  We who will read and accept your writing and art are fellow students of Goddard College’s undergraduate program (primarily the BFA in Creative Writing).  We chose Goddard due to its rich history of student-directed curriculum which allows eclectic, individualized focuses of study.  Thanks to our home at Goddard, Duende opens to include all forms of literature and art.  We welcome hybrids, collaborations, and other experiments in form, in addition to artful fiction, poetry, nonfiction, interviews, etc.

Push the envelope.  Push yourself and your work just a little more, make your offering just a bit larger, your understanding a layer deeper.

Then send it to us.  We can’t wait to see it.

Visit http://www.duendeliterary.org/ for complete details.

Call for Submissions: Holocaust Remembrance Day

23 April 2014
The mission of the Poetry Super Highway
is to expose as many people to as many other
people’s poetry as possible.

Holocaust Remembrance Day (Yom Hashoah) is this Monday, April 28th. We’re looking for submissions of poetry written in response to the Holocaust for next week’s annual Yom Hashoah (Holocaust Remembrance Day) issue.

  • Please read and follow these guidelines carefully. Because of the tight turnaround of this submission period, we will not be able to consider any submissions that do not follow the submission guidelines, and there will be no time to resubmit.
  • Submission deadline is this Friday, April 25th (midnight pacific) to be considered for this special issue.
  • Send no more than 3 poems in the body of an email (No Attachments)
  • Include a short bio which includes what city you live in.
  • Poems submitted or published for previous PSH Holocaust Remembrance Day issues (regardless of whether we publishd them) are not eligible for re-submission. We welcome your previously unpublished on Poetry Super Highway submissions.
  • The subject of your email should be “Holocaust Poetry Submission
  • E-mail your submission to potw@poetrysuperhighway.com (please note you will receive an automatic response indicating your work has been received for “weekly Poet of the Week consideration”…as long as you specify in the email subject that this is for the special Holocaust Remembrance Day issue, we will understand to consider it for this special issue.)

Call for Submissions – The Round Up Writer’s Zine

25 October 2013
The Round Up Writer’s Zine is a fresh space devoted to trangressive pieces, dark humor and works laced in sarcasm. In fact we are partisan to works that are edgy and/or possibly offensive.
We are currently looking for submissions for our next full fledged issue to come out in January 2014. Submissions include short stories, poetry and essays or musings.
To be considered for our next issue of the Round Up you must submit by December 20, 2013.
For information specifications and guidelines go to www.roundupzine.com/submit

Call for Submissions! The Landing Theatre Company: New American Voices 2014 Play Reading Series – Playwriting Festival

2 September 2013

Submissions will be accepted September 1st through October 31st, 2013.

Play Submissions

The Landing Theatre Company and Wordsmyth Theater Company are now accepting ­­­­­­­­­­­­­­­full-length plays for ­­­­­­­­­­­­the 2014 New American Play Reading Series in Houston, Texas. Four plays will be selected for staged readings during the Landing Theatre Company’s Spring Festival. Selected playwrights must attend the readings. Playwrights must cover their own travel expenses.
Fees
1. There are no fees for submitting.
Format
1. Selected playwrights must attend the festival.  
2. Each playwright will be paired with a local director prior to the festival to prepare for the event.
3. Director will cast the play prior to the festival.
4. Each production will receive at least two rehearsals prior to the official reading.
5. One rehearsal will be scheduled when the playwright can attend. 
6. The play will then be read in front of an audience, with a moderated discussion of the play afterwards.

Submission Criteria

Submissions must meet the following criteria:
1. Playwright must be a citizen or legal resident of the United States of America.
2. Play must not have been produced.
3. Play must not have had a public reading in the Houston area.
4. Submission must be received on or before October 31st, 2013.
5. Submission must be a minimum of 30 pages long and have a minimum run time of 45 minutes.
6. Submission must be in .doc, .pdf or .rtf format.
7. Plays are given blind reads, so there should be no playwright identifiers anywhere on the script.  Your name and/or contact information should only be in the email.
8. Only one play per playwright per submission period.
9. No musicals, children’s plays, or one-person plays. 
10. Playwrights will only be notified if your play is selected.

The 2014 New American Voices Play Reading Series will be presented March 7-9, 2014.

Visit the website for submission details: http://www.landingtheatre.org/nav-play-submissions.html

Call for Submission for Midwest Anthology

16 August 2013
My name is Lance Sacknoff and I am the editor of an upcoming anthology by Ice Cube Press called Prairie Gold: An Anthology of the American Heartland.
The anthology will showcase works of Fiction, Nonfiction, and Poetry that address the culture, history, geography, etc. of the American Midwest.

Call for submissions: Barrow Street, a Poetry Journal

3 February 2013

Submission Guidelines
Review the following guidelines carefully before submitting your work via our online submission manager. Please note: it is your responsibility to withdraw submissions on the submission manager containing poems or manuscripts accepted elsewhere. Do not send us an email notifying us. Instead, please withdraw your submission online, and resubmit.

Before submitting your own work, we highly encourage you to familiarize yourself with our previous publications. Sample poems from earlier issues of the journal and information about books can be found on the Journal and the Press pages respectively. You can subscribe to the journal here.

General Guidelines
Send your submission during the reading period by using our Online Submission Manager. Follow the directions on how to fill out the provided data fields. Once you have registered with the online submissions system, you will also be able to view the status of your submission, withdraw a submission, or query about a submission using the system. We are no longer accepting hard copy submissions. If you submit hard copies via snail mail, we will not be able to respond to, or return, the poems.

Upload only one file containing your work. Please include a brief cover letter, including a short list of any previous publications, in the “Comments” box. Submissions must be uploaded as a .doc(x), .rtf, or .pdf file. Any files that do not adhere to these guidelines will not be considered for publication.

Your saved file name should read: Last name_First name_Genre(.file extension). For example: Spicer_Jack_Poetry.docx or Rhys_Jean_Bookcontest.pdf.

Expect anywhere from one week to four months for a decision. Please do not query until at least two months have passed since the closing date of the reading period.

If your work is accepted for publication, you will be notified by the editors via email and will receive instructions about the pre–publication process. Barrow Street pays two contributor copies. See below for details about payment for the annual Book Contest award.

Book and general inquiries: infobarrow@gmail.com
Journal inquiries: journal@barrowstreet.org

Journal Submission Guidelines

Press Submission Guidelines