Posts Tagged ‘screenwriting contest’

Last call! The Seventh Edition of the Oaxaca FilmFest

20 May 2016

Awards & Prizes

The Festival Recognizes and Awards All Competitive Categories.

Rules & Terms

1. DATES:

  • October 21, 2015 – Opening Date
  • January 31, 2016 – Earlybird Deadline
  • March 31, 2016 – Regular Deadline
  • May 31, 2016 – Late Deadline
  • July 31, 2016  – xtended Deadline
  • September 15, 2016 – Notification Date
  • October 8 – 15, 2016

The Seventh Edition of the Oaxaca FilmFest will be held from October 8-15, 2016 in the City of Oaxaca, Mexico.

2. SUBMISSION CATEGORIES:

Projects submitted to the Festival for consideration may apply to just one category. Please select the category that best fits your project. The Festival reserves the right to determine eligibility of any project for any Festival program or submission category. For more details (INCLUDING DEADLINES) please review all guidelines for each specific category.

3. SUBMISSION GUIDELINES:

SUBMISSIONS ARE ACCEPTED ONLY VIA OFFICIAL OAXACA FILMFEST SUBMISSION PLATFORM PARTNER.

*Producciones mexicanas requieren un “Fee Waiver”. Para recibirlo, favor de escribir a submissions@oaxacafilmfest.com. Gracias !
Todos los directores/guionistas mexicanos interesados en inscribir su proyecto en la sección Hecho en México o Escrito en México al Festival pueden contactar a submissions@oaxacafilmfest.com.

YOU MAY SUBMIT MORE THAN ONE PROJECT AND PREVIOUS PROJECTS THAT WERE REJECTED MAY BE RE-SUBMITTED IF THERE HAVE BEEN CHANGES MADE TO THE PROJECT. YOU MAY NOT RE-SUBMIT A PROJECT THAT WAS PART OF THE OFFICIAL SELECTION OF A PREVIOUS EDITION OF THE FESTIVAL.

There are three options for submitting material to the Festival:

1) Uploaded via the Secure Online Screener function of Official Submission Partner.
2) Secure VIMEO link.

Language (SUBTITLE POLICY)
For Submission purposes your film may be in any language. However, if not in English or Spanish the film must have either English or Spanish subtitles.

IF YOUR FILM IS SELECTED for screening at the festival:
-If the film is in Spanish it must have English Subtitles.
-If the film is in English it must have Spanish Subtitles.
-All other languages will be exhibited in the original language and must contain DUAL subtitles both English and Spanish that project simultaneously

All screenplays must be in English, Spanish or French.

Once a Project has been submitted for participation it cannot be withdrawn.

4. PROGRAMMING:

Upon completion of the Festival selection process, the Festival will attempt to contact the Applicant using the contact information provided on the submission form to notify the Applicant of the Project’s acceptance status. The Festival disavows any responsibility and will not be held responsible for, any failure to contact the Applicant using the contact information provided on the submission form. It is the sole responsibility of the Applicant to ensure that the contact information provided on the submission form is correct throughout the entirety of the Festival selection period.,

The Festival is under no obligation to provide to the Applicant or any other representative of the Project any comments or feedback regarding the submitted Project, any information relating to the manner in which the Project is, will be, or was reviewed; any views that the Festival or any reviewers of the Project may hold concerning the Project; any reasons why the Project, should it not be accepted for exhibition at the Festival, was not accepted; or any other information relating to the Festival’s review, consideration and/or selection process regarding the Project specifically or submissions generally beyond the information set forth in these Rules and Regulations.

Projects accepted by the Festival will be placed, at the sole and absolute discretion of the Festival Programming department, in one of the program sections. Applicants may NOT submit their Projects directly to any specific section. The only exception to this policy is exclusively for Mexican Filmmakers who may submit directly to HECHO EN MEXICO OR ESCRITO EN MEXICO sections.

The Film Festival Management will establish the schedule of the films submitted. The Festival also reserves the right to designate appropriate category/section for each project.

5. SELECTION COMMITTEE AND JURORS:

The Selecting Committee will be national and foreign individuals recognized in the cinema and cultural world. The Festival Management will appoint the members of the Official Jury who will assign the Official Awards to the competing sections. Individuals who participated in the production or promotion of any of the competing films will not be eligible as jury members.

The decisions of the Jury will be FINAL.

Furthermore, Filmmakers are responsible to adhering to all guidelines and deadlines needed to ensure the highest quality exhibition of their film.

6. GENERAL CONDITIONS:

All information above shall supersede any other guidelines associated with the Festival. The Festival is entitled to make interpretations in any case not considered in these rules and regulations and may make exceptions whenever justified. The Festival Management will review unforeseen cases. Whenever a controversy arises from the interpretation of any of the articles in these rules and regulations, the ruling document shall be the original document in English.

A submitted project implies full agreement with this document. Failing to comply with any of these articles may result in denying the participation of a project in the Festival.

Oaxaca FilmFest has the right to add, alter, change, or delete any portion of the guidelines at anytime without notice.

Visit the website for details on how to enter:  https://filmfreeway.com/festival/OaxacaFilmFest

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Last Call for Entries! BlueCat Screenwriting Competition: Deadline is Nov 15th, 2012

29 October 2012
Discovering and Developing Writers Since 1998
Founded by a writer, the BlueCat Screenplay Competition’s passionate commitment to develop and discover the unknown screenwriter continues to define our work today.We provide each writer who enters BlueCat two written analyses, ensuring each entry is reviewed by two readers, while supporting screenwriters of all levels and stages of development with the constructive feedback all writers require.

Our Winners and Finalists have been signed by major talent agencies like UTA, CAA and WME, sold their work to studios like Warner Bros., Paramount and Universal, and won major awards at the Sundance, Berlin and Tribeca Film Festivals, all after being discovered by and winning BlueCat.

Rules & Guidelines

Awards:

The Winner of the 2013 Competition will receive $10,000. Four Finalists will receive $2000 each.

The Cordelia Prize will be awarded to the best screenplay written by a screenwriter residing in the UK and will receive $1000.

The Joplin Award will be awarded to the best screenplay written by a screenwriter residing outside the USA, Canada or the UK and will receive $1000.

All screenplays entered by August 1st, 2012 will be automatically entered in our Title Contest. Three winners will be determined by the votes of current 2013 BlueCat entrants and awarded $250 each.

Screenplay Analysis Schedule:

Screenplays submitted early will receive their analysis as follows:

Scripts submitted on June 15th, 2012 will receive their written analysis by June 25th, 2012.

Scripts submitted by July 1st, 2012 will receive their written analysis by July 15th 2012.

Scripts submitted by August 1st, 2012 will receive their analysis by September 1, 2012.

Scripts submitted by September 16th 2012 will receive their analysis by October 1st, 2012. ($60 entry fee)

Scripts submitted by October 15th, 2012 will receive their written analysis by November 9th, 2012. ($65 entry fee)

All analyses will be returned by March 1, 2013.

Deadlines and Fees:

The early bird entry fees are $55 and $60 per screenplay. The regular entry fee is $65 per screenplay.  Submissions are accepted via electronic submission. There is no limit to the number of screenplays you may submit. Final entry fee is $70 per screenplay. Resubmission fee of entry submitted early in competition is $40.

Each regular entry will receive two sets of analysis.

Early Deadline: Entries must be postmarked or received electronically on or before June 15th, 2012 and July 1st, 2012.

Regular Deadline: Entries must be postmarked or received electronically on or before October 15th, 2012.

Final Deadline: Entries must be postmarked or received electronically on or before November 15th, 2012.

Each applicant will receive an e-mail notifying them of the writing competition results.

Quarter-Finalists will be announced February 1, 2013. Semi-Finalists will be announced March 1, 2013. Five Finalists will be announced April 1st, 2013. The Winner will be announced April 10th, 2013.

About us: Since our formation in 1998 by award winning screenwriter Gordy Hoffman, our winners and finalists have launched careers in the industry. Recent BlueCat winner THE MAN IN THE REARVIEW MIRROR, by Andy Pagana and Justin Thomas, sold for low-mid six figures, and BlueCat Finalist Aaron Guzikowski’s CONTRABAND, starring Mark Wahlberg, was released by Universal. We have had a distinct track record of identifying undiscovered writing talent, paving the way for these writers to be signed by UTA, CAA and WME and sell their work to Warner Bros., Paramount and Universal. We are more than a competition; we are a community that serves to support each other and the development of the unknown screenwriter.

For Details Visit the Website: www.bluecatscreenplay.com 
Facebook: http://www.facebook.com/BlueCatScreenplayCompetition