Posts Tagged ‘“Sonic Geography” Writing Contest’

MUSICWORKS’ 6th ANNUAL SONIC GEOGRAPHY WRITING CONTEST

4 August 2016

OPEN YOUR EARS AND SHARPEN YOUR PENCILS!

MUSICWORKS’ 6th ANNUAL SONIC GEOGRAPHY WRITING CONTEST IS OPEN

 ***DEADLINE EXTENDED TO AUGUST 28, 2016***

Juried contest offers top three winners cash prizes and publication in Canada’s acclaimed magazine about experimental music and sound art

Musicworks’ 2016 contests are open to receive entries from anywhere in the world! Musicworks is Canada’s only print magazine that explores experimental music. Its two annual juried contests spotlight new literary and musical talent, offering cash prizes and opportunities to be published and heard.

Sonic Geography Writing Contest: The external made internal in the sonic city. “Field recordings” of literary classics. The sounds of bugs and telephone wires by the ocean. Winners of the Sonic Geography contest have been sensually attentive and formally inventive. Choose any location—urban or rural, indoors or outside, cacophonous or mysteriously quiet. You have 500 words to describe how sound shapes your experience. So open your ears, and pick up your pencils.

  • Accepted file types: PDF only.
  • Maximum length per entry: 500 words
  • Contest entry fee is C$25,and includes a one-year subscription to Musicworks (less than our normal subscription rate!). $5 for each additional entry (unlimited).

First Prize: $500 cash AND your work published in Musicworks and on musicworks.ca

Second Prize: $200 cash AND your work published on musicworks.ca

Third Prize: $100 cash AND your work published on musicworks.ca

Also check out our Electronic Music Composition Contest: Compose a piece in one of the following experimental genres: Acousmatic, Electroacoustic, Glitch, Intelligent Dance Music, Turntable art, or Video music. Maximum time: 10 minutes. Accepted file types: MP3 or MP4 only.

2016 Contest prize details, eligibility and assessment criteria, and entry forms can be found at: musicworks.ca/contest

Visit our contest landing page and peruse the work of our 2015 contest winners!

Since 1978, Musicworks has been dedicated to the development of new and passionate audiences for experimental music. Published three times a year with accompanying CDs, Musicworks features in-depth articles on Canadian and international composers, improvisers, instrument designers, and artists who work in genres such as radio, electroacoustics, concert music, sound installation, and sound sculpture. With a dynamic website and outreach programs, Musicworks creates an inclusive community within which to exchange and develop ideas, and excite curious listeners with adventurous music.

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MUSICWORKS 2016 CONTESTS

10 July 2016

Musicworks’ 2016 Electronic Music Composition and Sonic Geography Writing contests are now open.

Musicworks’ two annual juried contests spotlight new and emerging literary and musical talents, and offer cash prizes and opportunities to be published and heard:

Electronic Music Composition Contest

Musicworks invites participants to compose an experimental piece in any electronic music genre with a maximum length of 10 minutes.

Sonic Geography Writing Contest

Musicworks’ asks prose writers and poets to choose one location and describe in a maximum of 500 words how sound shapes your experience of this place.

Contest entry fee is C$25, and includes a one-year subscription to Musicworks (less than our normal subscription rate!); each additional entry only $5. Contests close August 14, 2016.

2016 Contest prize details, eligibility and assessment criteria, rules and restrictions,

and entry forms can be found at:

 https://www.musicworks.ca/contest

MEET OUR 2015 CONTEST WINNERS

 

Columbian composer and sound artist Juan Camilo Vásquez’s Calíope (canto de las abejas) has won first place in Musicworks’ 2015 Electronic Music Composition competition. “I was conceiving the piece as a sculpture,” Vásquez says about the winning piece, “My interest working in electronic music is about achieving control: how I work with electronics—interface or patches—to control things exactly.” Vásquez is profiled in the Spring 2015 print issue (#124), available now through subscription and on Canadian newsstands. Calíope (canto de las abejas) is included on CD#124.

 

Imogene Newland’s “Sonic City” won first place in the 2015 Sonic Geography writing contest, and is published in the Spring 2015 issue. Newland is a British multidisciplinary artist specializing in experimental performance and writing.

 

Musicworks congratulates the 2015 Electronic Music Composition contest winners:

First Prize: Juan Camilo Vásquez for Calíope (canto de las abejas)

Second Prize: Aaron Oppenheim for October 12 2014

Third Prize: Daniel Blinkhorn for frostbyte – wildflower

 

Musicworks congratulates the 2015 Sonic Geography writing contest winners:

First Prize: Imogene Newland for “Sonic City”

Second Prize: Luke Nickel for “Three Literary Field Recordings”

Third Prize: Darcy Spidle for “Ocean Bug and Bird Songs”

The fifth edition of the annual contest drew an impressive array of entries from Canada and around the globe. Musicworks thanks 2015 jury participants Sarah Davachi, Daniel Glassman, Peter Hatch, and Lee Singer.

POINT OF CONTACT:

Patrick Wakisaka

Visit the website:  https://www.musicworks.ca/contest

The Weather Contest for Creative Nonfiction Magazine

23 April 2015

Postmark (extended) deadline May 11 2015.

For an upcoming issue, Creative Nonfiction is seeking new essays about THE WEATHER. We’re not just making idle chit-chat; the weather affects us all, and talking about the weather is a fundamental human experience. Now, as we confront our changing climate, talking about the weather may be more important than ever.

Send us your true stories—personal, historical, reported—about fog, drought, flooding, tornado-chasing, blizzards, hurricanes, hail the size of golf balls, or whatever’s happening where you are. We’re looking for well-crafted essays that will change the way we see the world around us.

Essays must be vivid and dramatic; they should combine a strong and compelling narrative with an informative or reflective element and reach beyond a strictly personal experience for some universal or deeper meaning. We’re looking for well-written prose, rich with detail and a distinctive voice; all essays must tell true stories and be factually accurate.

A note about fact-checking: Essays accepted for publication in Creative Nonfiction undergo a rigorous fact-checking process. To the extent your essay draws on research and/or reportage (and it should, at least to some degree), CNF editors will ask you to send documentation of your sources and to help with the fact-checking process. We do not require that citations be submitted with essays, but you may find it helpful to keep a file of your essay that includes footnotes and/or a bibliography.

Creative Nonfiction editors will award $1,000 for Best Essay and $500 for runner-up. All essays will be considered for publication in a special “Weather” issue of the magazine.

Guidelines: Essays must be previously unpublished and no longer than 4,000 words. There is a $20 reading fee, or $25 to include a 4-issue subscription to Creative Nonfiction (US addresses only). If you’re already a subscriber, you may use this option to extend your current subscription or give your new subscription as a gift. Multiple entries are welcome ($20/essay) as are entries from outside the United States (though due to shipping costs we cannot offer the subscription deal). All proceeds will go to prize pools and printing costs.

To submit: https://www.creativenonfiction.org/submissions/weather

OPEN YOUR EARS AND SHARPEN YOUR PENCILS! MUSICWORKS’ 4th ANNUAL “SONIC GEOGRAPHY” WRITING CONTEST NOW OPEN

12 April 2014

Juried contest offers top three winners cash prizes and publication

in Canada’s acclaimed magazine about experimental music and sound art

DEADLINE FOR ENTRIES IS MAY 16, 2014

For immediate release: TORONTO, CANADA,  Musicworks’ 2014 contests are now open to receive entries from anywhere in the world! Musicworks is Canada’s only magazine that explores experimental music. Its two annual juried contests spotlight new literary and musical talents, offering cash prizes and opportunities to be published and heard.
“Sonic Geography” Writing Contest Echoes in a Lisbon square. Waterdrops from an Iceland glacier. Birds in a Buenos Aires barrio. These are some of the sounds that have inspired contributors to “Sonic Geography,” our regular essay column. Choose any location—urban or rural, indoors or outside, cacophonous or mysteriously quiet. You have 500 words to describe how sound shapes your experience. So open your ears, and pick up your pencils. Accepted file types: PDF only. $25 entry fee includes a one-year subscription to Musicworks; $5 each additional entry (unlimited).
First Prize: $500 cash AND your work published in Musicworks and on musicworks.ca  Second Prize: $200 cash AND your work published on musicworks.ca  Third Prize: $100 cash AND your work published on musicworks.ca
Also check out our Electronic Music Composition Contest: Compose a piece in one of the following experimental genres: Acousmatic, Audio art, Electroacoustic, Glitch, Intelligent Dance Music, Microsound, Noise, Turntable art, or Video music. Maximum time: 10 minutes. Accepted file types: MP3 or MP4 only.
2014 Contest prize details, eligibility and assessment criteria, and entry forms can be found at: https://www.musicworks.ca/contest
2013 Contest winners info and links to their works can be found at: https://www.musicworks.ca/featured-article/sound-notes/margaret-noble-and-caitlin-smith-wintop-marks-musicworks-2013

Since 1978, Musicworks has been dedicated to the development of new and passionate audiences for experimental music. Published three times a year with accompanying CDs, Musicworks features in-depth articles on Canadian and international composers, improvisers, instrument designers, and artists who work in genres such as radio, electroacoustics, concert music, sound installation, and sound sculpture. With a dynamic website and outreach programs, Musicworks creates an inclusive community within which to exchange and develop ideas, and excite curious listeners with adventurous music.
For more information, contact Anastasia Klyushin at manager@musicworks.ca OR (416) 977-3546